Here 2024 10Bit.WEBRip Magnet Download
25/25
A generational story about families and the special place they inhabit, sharing love, loss, laughter and life. Based on the graphic novel “Here” by Richard McGuire. Richard’s father at one point early in the film names several towns that he claims are along the Pennsylvania Turnpike, when in fact they are all towns that are along Interstate 80 in PA, which had not even been built at the time. [from the trailer] Richard: You know, if you want, you can spend the rest of the night here. Margaret: I could spend the rest of my life here. Features They Stooge to Conga (1943). Clarinet Concerto, Pts. 1 and 2 Written by Artie Shaw Performed by Artie Shaw and His Orchestra Courtesy of RCA Records By arrangement with Sony Music Entertainment. LIKES: Good acting Realistic in many facets of life Dynamic use of set/setting Creative transitions De-aging technology Some fascinating connections at times Loved the artistic angle at times Relevant/relatable Emotional Summary: The marketing for the film didn’t lie to you . Here’s a film that is truly one of the most unique concepts we’ve seen in a while. The film relies on someone to take advantage of the single camera/location fixation and tell a story about the impact of time on life and the people who move through it. Zemeckis accomplished this task on many levels and managed to utilize the space well and keep the scene dynamic despite being so static. Dynamic changes of set help make this piece fascinating, with the idea of furniture shifts being a feature of the house itself that is impressive and serves as a metaphorical window into life. I loved seeing this room lived in and the families that called the villa home, seeing their interactions, auras and personalities shed a different light on the scene and tell their own micro-stories. The transitions were through the contours of the photographs, drawing the eye in before undulating into a new scene, the technique was smooth and rarely overdone for me. It had many facets that were creative, but never lost the anchor of realism to make this an enjoyable and balanced piece. As for the story and acting, a roster of talent helped bring this film to life and achieve its goal of being a slice-of-life look. This is a film that relies heavily on being relevant and the cast to make that relevance come to life. As for the story, it rarely strays from the people living their lives, taking snippets from various periods and reflecting them on the times. The highs and lows are beautifully captured on screen, and Zemeckis’ vision helps drive the concepts home and hit you with that emotional impact that this film promised. When the relevant tales hit me, it only strengthened my connection to the film even more, and I found my inner self reflecting on what this film had to teach me. The acting is there to give words to the visions, with much of the dialogue poetic without being too Shakespearean in its delivery. Bettany was a treat to watch, and while not as engaging or dynamic as his Disney films, he still manages to impress me with a stellar performance of the Boomer generation facing the rapid changes happening in the world. Wright’s return to the screen is fierce, as his character is torn between fun and frenzy, a brilliant portrayal of the struggles that befell so many in his place during the great decades of change. Hanks is, of course, as talented as ever, incorporating elements of his other characters into every moment of his life and doing so with the same class and vigor that he almost always brings to the screen. It’s a chemistry that works, this family atmosphere feels so natural and almost authentic with strong leads to guide the characters and never falling too far into Hollywood representations.
Comments